Exhibition Award
Pakhus 11, Dampfærgevej 2, 2100 Copenhagen
Design / Dialogue
Pakhus 11, Dampfærgevej 2, 2100 Copenhagen
Tom Fereday
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Fascinated by the tension that lies between natural materials and contemporary design and manufacture, Tom Fereday develops unique designs originating from an intrinsic inquiry into the role of objects today. Built on the principle of honest design Tom Fereday’s work celebrates the materials and manufacture behind furniture and objects, guiding considered and thoughtful design outcomes that explore the notion of quiet innovation. Born in Australia, Tom Fereday grew up in London, England studying sculpture and graphic design at the Wimbledon School of Art before moving to Australia to complete an honours in Industrial Design at the UTS Sydney. Working across Europe and Australia Tom Fereday went on to found his sole practice in 2012.

Tom Fereday presents his latest collection of furniture editions as part of exhibition Design / Dialogue in collaboration with Ark Journal; presented in the industrial Pakhus 11 building.

Copenhagen-based design company FRIPON is relaunching the classic Philosopher Lamp, designed by the Danish architect Lars-Erik Ejlers in the early 1990s. The lamp was originally made for Restaurant Cap Horn in Nyhavn. In the following years, the lamp, designed with a notable brass shade, became a rarity due to very limited distribution but still found its way and is gracing iconic bars and restaurants throughout Copenhagen. FRIPON’s first endeavour is to breathe new life into the classic Philosopher Lamp, once again.

The  Philospher Lamp is produced locally in workshops located in the metropolitan area of Copenhagen.
FRIPON
March 4, 2024
Lighting
Part of 2024
Weaving together timeless Danish design and sustainable ambitions, Ege Carpets craft wall-to-wall carpets, rugs, carpet tiles and planks for commercial buildings, hotels, cruise ships, art galleries, exhibitions and more. Offering an attractive selection of pick-and-produce designs as well as endless custom design opportunities, Ege Carpets are chosen by high-profile companies all over the world.
Ege Carpets
February 24, 2022
Rug & Floor
Part of 2022
Part of 2023
Part of 2024
Santa & Cole, a small, independent, global editor of design, art, and books rooted in Belloch (Barcelona), with the mission of preparing original ideas or works for the public domain.

Products are meticulously designed to stand the test of time, drawing on their shape, technical solutions, and carefully chosen materials. The guiding principle is quality over quantity, with an emphasis on choosing rather than accumulating. This commitment to a material culture has been upheld for over 35 years, with the goal of extending the lifecycle of products for generations to come.
Santa & Cole
February 2, 2024
Accessories
Lighting
Part of 2024
Troldtekt designs, develops and manufactures acoustic panels made from Danish wood and cement. Troldtekt’s mission is to increase the acoustic comfort in buildings as well as securing a sustainable and healthy indoor climate – while also providing architects with a wide range of design choices. 

Since 2012, Troldtekt has placed the sustainable design concept Cradle to Cradle® at the heart of its business strategy. This means a continuous focus on adding value for the environment, for society and for business. 

The combination of wood and cement creates unique sound absorbing properties, ensuring good acoustics in any room. The material has a natural resilience and can handle moist environments while providing effective fire protection.
Troldtekt
February 15, 2022
Wall & Surface
Part of 2022
Part of 2023
Part of 2024
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Since its inception in 2013, Signe Byrdal Terenziani has facilitated the growth of the design community in her role as Managing Director. It all began as a small design event held in an old warehouse in Nordhavn, a harbour area overlooking Copenhagen’s waterfront. Four Danish brands launched the event as a joint initiative: Montana, Erik Jørgensen (now owned by Fredericia Furniture), Anker & Co, and Kvadrat. At that time, Copenhagen lacked a proper design festival, since the previous annual furniture fair at Bella Center closed down some years before.

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