TAKT
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TAKT is rethinking the approach to designing, constructing, and selling furniture, aiming to bring high-quality design to a broader audience. The brand is challenging the prevailing throw-away culture around furniture, asserting that furniture is not disposable. Furniture should be loved, cared for and handed to future generations. Therefore, all TAKT furniture is designed for repair. Their component based approach to design means that all parts are replaceable, so when life happens, you’ll be able to identify the right part of the furniture to repair or replace. This way, your furniture could last forever. Furthermore, TAKT is a B Corp and all products are certified with the EU Ecolabel. TAKT calls it 'Perpetual Sustainable Design'.

Join TAKT at this year's 3daysofdesign to explore their exhibition in the heart of Vesterbro, Copenhagen. In collaboration with Formation Gallery you are invited to explore the gallery’s exhibition featuring TAKT with a special focus on unveiling their latest product set to launch at 3daysofdesign. Swing by, take a seat and be among the first to experience TAKT's newest addition to their furniture collection. The exhibition will be open every day of the festival, welcoming all visitors to immerse themselves in the world of TAKT.

Related Exhibitions
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Danish Art Workshops
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ToneArt is a Danish design house operating as PH Pianos, PH Furniture and Copenhagen Design House. Under official rights, the company brings Poul Henningsen’s piano, furniture and mirror designs into the present. The collection connects Danish design heritage with contemporary craftsmanship and material awareness. Alongside the PH universe, Copenhagen Design House presents works by other Scandinavian and Baltic designers. At the intersection of art, music and interiors, ToneArt presents a world of functional artworks.
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DUX
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Arthur Rottier is a designer and product developer based in Arnhem, the Netherlands. His practice moves between commissioned work and self–initiated projects, driven by an interest in how objects can be conceived and produced locally using contemporary means. The work is defined by advanced, computer–controlled engineering and production methods, careful finishing, and a restrained approach to form. Durability is central: materials are chosen for wear resistance, constructions are clear and legible, and connections are simple. Affordability is considered part of the design challenge. At the core of the practice lies the belief that beauty is essential to sustainability. Objects that are valued are cared for, and what is cared for lasts.
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Glimakra of Sweden
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