Proof of Concept

Proof of Concept
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Proof of Concept is a dynamic exhibition platform exploring the intricate and captivating processes behind design. Showcasing work from a collective of multidisciplinary studios, it highlights self–initiated projects, products that never reached the market, and designs already in circulation. By shedding light on the extensive development process, the exhibition offers a rare glimpse into the evolution of a product—revealing the ideas, challenges, and creativity that shape its journey.

Proof of Concept — Connect is an exhibition that explores how materials, processes, construction and craftsmanship shape our relationship with everyday objects. Designers are invited to consider the role of tactile experiences, traditional techniques, and innovation in forging deeper connections between makers, users, and the spaces we inhabit. Through this exploration, the exhibition celebrates the tangible bonds that bring design to life.

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Lasting change begins at the smallest scale. No detail is too little, no problem too small, no emotion trivial and no person irrelevant. In a time defined by environmental and social challenges, design becomes a tool for care, attention, and responsibility, where every step matters and every effort counts. At Lund University School of Industrial Design, education is grounded in curiosity, critical thinking, and real-world engagement. Students question, test, and refine, engaging with people and contexts, bringing together diverse perspectives. The school fosters a new generation of designers who create with intent and awareness. Their work reflects a shift from producing more to creating meaningful impact. Because Every Thing Matters.
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In Terrassa, 30 km from Barcelona, Teixidors creates unique pieces of cashmere, wool and linen using 19th–century wooden looms. Founded in 1983, the company fuses exceptional craftsmanship with a strong social enterprise mission. Each blanket, throw, or shawl begins with a mindful selection of noble, natural fibres and takes shape through slow gestures, care, and a deep commitment to the craft. Their textiles are now sold in over 30 countries and have been part of collaborations with renowned creators such as John Pawson and Faye Toogood. Teixidors blends beauty, tradition, and purpose to offer pieces that accompany, nurture, and transform both ambiance and lives. Teixidors—when weaving is also caring.
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Kusch+Co is a German furniture manufacturer with 85 years of tradition. As a design-driven brand owned by Nowy Styl, it is recognized worldwide for outstanding quality, exceptional design, iconic furniture, and specialized solutions for offices, public spaces, airports, and healthcare facilities. Long-standing collaborations with renowned designers such as Luigi Colani, Karim Rashid, Jorge Pensi, Studio F.A. Porsche, Norbert Geelen, Scaffidi & Johansen, brodbeck-koepp design, and kaschkasch lend each product a distinctive character and reinforce a strong commitment to design excellence. For 85 years, Kusch+Co has upheld the belief that 'quality is irreplaceable'.
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Botané is building a new category at the intersection of interior design, sustainability and modern aesthetics. Created to bring botanical design into everyday spaces, Botané offers a lasting alternative to perishability, designed to remain rather than disappear. Approached as an interior discipline, botanical design is treated with the same intention as furniture, objects and architectural elements. Each composition is shaped through proportion, texture and spatial balance, becoming part of how a space is experienced rather than something that fades from it. More than decoration, botanical design shapes atmosphere; calm, coherent and enduring.
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Other Exhibitions
Slow Extraction / Dimora Circolare / Wasted / La Mesure. Marco Evaristti is an artist and architect trained in the studio of Professor Henning Larsen. His work operates between art, architecture, and design, examining responsibility and the systems shaping contemporary life. During 3daysofdesign, he presents Slow Extraction at the Odd Fellow Palace. The installation treats furniture as spatial structure—circular forms and cubes creating rhythm and small–scale architecture. Crafted in FSC–certified wood and plant–based textiles, materials remain visible. La Mesure extends the project, focusing on the body as measure and proposing furniture as lived architecture.
Evaristti Studio
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For the first time, inter.agcy and 3daysofdesign present GROUPED, a new showroom concept and exhibition in the latest Design District — Islands Brygge. Focusing on a keen attention to details, the international group of exhibitors represented are connected through their rigorous design processes. Located in a unique space in the city—an everyday hub for designer in Copenhagen—the exhibition combines an exposed, paired-back aesthetic with contemporary showroom elements, resulting in a memorable multi-brand experience.
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Pit–To–Table is a materials manufacturer transforming agricultural waste into sustainable interior surfaces. Produced in Cyprus, Pit–Board is a bio–composite panel made from discarded olive pits sourced from local olive farms. By turning an abundant by–product of the olive industry into a functional design material, Pit–To–Table supports circular production and reduces waste. Designed for interior architecture and furniture applications, Pit–Board combines natural texture with durability and a warm, distinctive appearance. The material offers designers a renewable alternative to conventional boards while connecting contemporary spaces to Mediterranean agricultural heritage.
Pit–To–Table
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Unwanted fibre becomes an UNWONTED experience. The brand makes alpaca duvets from fibres that would otherwise go unused. Across Poland, 47 small farmhouses produce fleece in quantities too small for industrial processing. UNWONTED collects, grades, and processes these volumes into duvets with GOTS–certified organic cotton shells, entirely free of synthetic components. Founded in 2025, the brand bridges Copenhagen design and Polish agriculture, where the founder's father and sister trained as professional shearers to supply the collection. Collection that is limited by the natural shearing cycle. Alpaca fibres accounts for 0.05% of world textile production and the experience of sleeping under it remains unfamiliar to most.
UNWONTED
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Proof of Concept
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