LAYERED
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LAYERED bridges creativity, culture, and art into the physical space. From their studio in Stockholm, they design handcrafted centerpieces that turn interiors into curated, expressive environments. Through bold concepts, artist collaborations and a sustainable mindset, they offer a new perspective on Scandinavian design. LAYERED is not here to blend in, they are here to create conversation pieces.

At 3daysofdesign, LAYERED and Massproductions present Industrial Choreography—translating the craft of weaving into a spatial experience. It captures the dynamic behind their new Cord Collection: the intersection of industrial rigor and living craftsmanship. Inside, large rotating pillars clad in heavy wool yarn mimic the mechanical rhythm of the loom, manifesting a shared philosophy: working with manufacturing logic, rather than against it. The collection integrates its signature stripe directly into the warp. By setting these vertical foundation threads in motion, the rotation allows the bold accent colours to fully emerge —a mechanical choreography where industrial precision embraces human craft.

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Astrid was launched in 2003, founded on Anna Boustedt’s genuine love for textiles. This passion continues to guide everything the company does. Her vision, aesthetic sensitivity, and attention to detail have helped establish Astrid as a small but significant player. The company is based in Stockholm and has longstanding collaborations with the most skilled textile mills in Europe. Astrid offers fabrics for curtains, furniture and accessories, and although the company’s primary target market is architects and designers, and the team has extensive knowledge of dealing with public spaces, the textiles are perfectly suited to a wide variety of settings. Quality is a matter of course for Astrid, and visual appeal is absolutely vital.
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Lise Vester Studio is a Copenhagen–based design practice working at the intersection of craft, design and atmosphere. Rooted in principles from healing architecture and neuroaesthetics, the studio explores how materials, light and form can support wellbeing and shift perception. The work spans sculptural lighting, optical objects and spatial installations developed through hands–on experimentation in close collaboration with makers. Each piece is conceived as a sensory tool—inviting pause, reflection and a deeper connection to place and self.
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Kaikale is an India-based furniture brand rooted in local craftsmanship and people-driven making. In collaboration with the Scandinavian architect Alexander Mihel, the work brings together traditional Indian carpentry and Scandinavian design principles. Kaikale x Alexander Mihel presents a furniture collection developed over 2,5 years through a hands-on collaborative process. The collection is made using carpentry-based methods, working with established hardwoods and also experimenting with non-forest timber such as coconut timber. In India, the coconut tree has traditionally been fully utilised, with every part used. The furniture continues this approach by giving coconut wood a long life as durable, long-lasting pieces.
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The story of sog begins in the world of bespoke furniture in Japan, where its creators listened to countless stories—the single line drawn by an architect, the quiet wish of a user. To answer each one, the brand's artisans sculpted wood, tailored fabrics, and bent metal. The myriad forms born and then vanished in this process became what they call the “memories of design.” From this vast accumulation of memories and experience, “sog” was born: a brand that carves out the "So” (素)—the elemental form destined to become the standard of the future.
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Rethinking paper for architecture and exhibition design. Drop Paper sits somewhere between material innovation and spatial storytelling. Its ultra-light, non-woven surface—fibrous, flexible and quietly expressive—has become a go-to for designers working across exhibitions, events and interiors. It can be cut, folded and suspended with ease, yet retains a distinctive visual softness that comes alive when interacting with light.
Droppaper
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Japan Creative is a non–profit organisation composed of members who are involved in the field of design and engaged in material research. When one traces the process by which everything is created, one finds that its origin lies in the materials.  As those who are involved in design in Japan, blessed with rich diversity of materials, Japan Creative focuses on the inherent backgrounds, characteristics and potential of materials themselves, reevaluating their value through a designer’s perspective. Japan Creative believes that only by understanding how materials are shaped by the unique natural environments and climates, and how they are situated, can it move beyond superficial expression and create designs with necessity and sustainability.
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At Smile Materials, discarded resources are transformed into beautiful, durable surfaces that proudly reveal their origins—rich in texture and created with a commitment to a circular future. Designed for lasting performance, the customisable products demonstrate that conscious choices never require compromise on aesthetics. Featured in award–winning commercial interiors worldwide, Smile Materials combines innovation with storytelling to create real impact. More than recycled surfaces, these solutions enable expressive spaces while helping shape a distinctive and responsible future.
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Emanuele Pantanella was an artist and designer inspired by his travels across the Eastern Mediterranean, where he developed a visual language rooted in ancient cultures and oriental calligraphy. His work blends simplicity, functionality, and timeless elegance, reinterpreting traditional forms in a contemporary way. Today, Emanuele Pantanella Design continues his legacy through his family and Creative Director Claudia d’Oncieu, working with skilled Italian artisans. Craftsmanship is central to the brand, combining traditional techniques and material research to create unique, handcrafted pieces that reflect both heritage and a contemporary vision.
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