LAYERED
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LAYERED bridges creativity, culture, and art into the physical space. From their studio in Stockholm, they design handcrafted centerpieces that turn interiors into curated, expressive environments. Through bold concepts, artist collaborations and a sustainable mindset, they offer a new perspective on Scandinavian design. LAYERED is not here to blend in, they are here to create conversation pieces.

At 3daysofdesign, LAYERED and Massproductions present Industrial Choreography—translating the craft of weaving into a spatial experience. It captures the dynamic behind their new Cord Collection: the intersection of industrial rigor and living craftsmanship. Inside, large rotating pillars clad in heavy wool yarn mimic the mechanical rhythm of the loom, manifesting a shared philosophy: working with manufacturing logic, rather than against it. The collection integrates its signature stripe directly into the warp. By setting these vertical foundation threads in motion, the rotation allows the bold accent colours to fully emerge —a mechanical choreography where industrial precision embraces human craft.

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Copenhagen based Icelandic designer Dögg Guðmundsdóttir creates nature inspired products with emotional appeal and a distinctive touch of Nordic originality. Many of her designs are based on foundational structures or pieces of art, while others form part of a collection. For this exhibition, nature is not merely an inspiration but an integral part of the essence of the works and of the installation, created in collaboration with Dýpi—an ocean paint made from calcareous algae harvested in Iceland. Dýpi was nominated for the Icelandic Design Awards 2025 for its product that is exceptionally breathable, environmentally friendly, plastic–free, and an innovative use of abundant natural materials.
Embassy of Iceland
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FRIENDS & FOUNDERS creates contemporary design with strong focuses on architecture, art, and craft. A sculptural approach to design, clean aesthetic profiles, and attention to detail show through in their work. FRIENDS & FOUNDERS create sustainable timeless pieces guided by the simplicity of artistic minimalism.
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2050 Furniture is a gentle rebellion for nature, people, and the future. Today’s conventional furniture industry is resource–intensive and highly centralised. Valuable local resources—such as wood waste—remain underutilised, while many people are excluded from the workforce. 2050 Furniture is created to question and even change this system. This new furniture production transforms local wood waste into high–end furniture through cooperative, local production that fosters inclusive and meaningful employment. 2050 Furniture scales through new furniture series developed in new communities, expanding a local, circular, and regenerative model of production. 2050 Furniture is Doughnut economics in practice.
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Swedish School of Textiles' programme is a global leader in reimagining textiles, pushing the boundaries of creativity and innovation. Here, students are empowered to explore the expanded field of textile design through cutting–edge areas like Textile Craft, New Materiality, Innovation, and Digital Specialisms. Its department equips students with the skills and vision needed to thrive in the textile industry and beyond, fostering bold designs that blend art, technology, and sustainability.
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For 3daysofdesign, Chylak presents a series of site–specific works in bobbin lace, developed for the Copenhagen flagship store Baum und Pferdgarten. Rooted in a shared cultural narrative between Copenhagen and Warsaw, the works draw on the story of Bertel Thorvaldsen’s monument to Józef Poniatowski and its journey across time and place. At the centre of the exhibition is the horse motif, reinterpreted through delicate lace into a light, almost transparent structure bridging history, craftsmanship, and contemporary fashion. Installed in dialogue with the space, the works form a subtle “lace entrance,” creating a layered, immersive environment.
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Founded in 2012, Kristina Dam Studio creates furniture, accessories and art objects shaped through an architectural approach to form and material. With a focus on sculptural minimalism, craftsmanship and lasting quality, the studio draws on architectural principles to create refined pieces that bring a clean and distinct presence to contemporary spaces.
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Founded in 2005, Mutina has built its identity through collaborations with some of the most influential designers of our time, redefining ceramics as a medium of research and expression. By merging artisanal knowledge with contemporary experimentation, the company challenges conventional production logics and explores new spatial and material languages, creating timeless collections that move beyond decoration into architecture and art. Every initiative is the result of a harmonious collaboration with Michael Anastassiades, Edward Barber & Jay Osgerby, Ronan & Erwan Bouroullec, Nathalie Du Pasquier, Konstantin Grcic, Hella Jongerius, OEO Studio, Raw Edges, Inga Sempé, Patricia Urquiola, Vincent Van Duysen, and Tokujin Yoshioka.
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