AKUART
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Akuart is a Danish acoustic design brand developing sound absorbing systems for professional environments. Based on the understanding that sound shapes how space is experienced, Akuart creates modular acoustic solutions that integrate into the spatial framework, combining documented Class A performance with visual precision. Designed for offices, learning environments, care facilities and hospitality, the systems become part of the built structure. Precision–engineered aluminium frames ensure stability and scalability, while high recycled content and design for disassembly support reduced environmental impact and long service life.

CONTROL explores sound as a spatial discipline rather than a technical afterthought. The exhibition frames acoustics as an active design parameter, measured, shaped and held in place. At its core, Control introduces a new acoustic shelving system where storage and sound absorption converge into a single architectural element. Objects are organised. Noise is contained. Across the installation, the Supersonic system and Control articulate a shared logic: precision, modularity and material responsibility. Nothing in excess. Everything deliberate. Because space is not just designed. It is controlled.

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AVOLT is a Swedish design studio that develops, designs, and markets objects that extend electricity to devices, bringing Scandinavian design into homes, offices, retail environments, and public spaces. AVOLT’s ambition is to impact and empower everyday life by creating beautiful, timeless, and sustainable objects that connect devices to electricity without compromising architecture or interior design.
AVOLT EXP
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Present in more than 140 countries, Marazzi is widely recognised as a synonym for high-quality ceramic tiles for floors and walls and as a symbol of the finest Made in Italy within the design sector. Founded in 1935 in Sassuolo, Modena—an internationally renowned ceramic district—Marazzi has driven many of the technological, process, and design innovations that set global standards. All ceramic and porcelain stoneware products are manufactured using advanced technologies and environmentally responsible production cycles, certified to the strictest international requirements.
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LIGHT–POINT designs more than just lamps—they design light. This is the essence of their brand slogan: CREATING LIGHT.  With 30 years in the market, they have firmly established themselves as a leading Danish design company with an international look and appeal. The approach to design is both architectural and artistic, and the style is elegant and minimalistic, yet edgy and expressive. The lamps can both serve as style markers and bold design statements and be sophisticated, understated, and serene, blending in seamlessly. The fascination with light drives LIGHT–POINT to continuously experiment, pushing the boundaries of norms and traditions to develop innovative ways of creating illumination.
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What began over 20 years ago as a spontaneous experiment in Tom Rossau’s Copenhagen workshop has evolved into a distinctive design philosophy. While shaping wooden slats into a cylindrical form, Tom discovered the expressive potential of light, material, and form, and a new chapter in Danish lighting design was born. Today, the collection has grown to include a wide range of materials and styles, yet the brand remains rooted in curiosity, craftsmanship, and sculptural design. Each lamp is still meticulously designed and handcrafted in Copenhagen, with a strong focus on quality and responsible production, bringing Danish design to interiors around the world.
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Pit–To–Table is a materials manufacturer transforming agricultural waste into sustainable interior surfaces. Produced in Cyprus, Pit–Board is a bio–composite panel made from discarded olive pits sourced from local olive farms. By turning an abundant by–product of the olive industry into a functional design material, Pit–To–Table supports circular production and reduces waste. Designed for interior architecture and furniture applications, Pit–Board combines natural texture with durability and a warm, distinctive appearance. The material offers designers a renewable alternative to conventional boards while connecting contemporary spaces to Mediterranean agricultural heritage.
Pit–To–Table
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The Poster Club is a Copenhagen–based art platform offering a carefully curated selection of premium art prints and original works crafted by independent artists from around the world. Now in its tenth year, The Poster Club bridges artistic expression and contemporary aesthetics, showcasing diverse creative voices and making its global community a unique destination for those seeking inspiration and accessible art. The collection spans abstract compositions, delicate illustrations, bold graphics, eclectic photography and handcrafted Wall Objects. Combining a love for art and a passion for design with an uncompromising commitment to craftsmanship, The Poster Club helps people to create inspired spaces of their own.
The Poster Club
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Cumellas designs and produces contemporary handmade rugs. Based in Barcelona since 1992, its work reflects a deep understanding of craftsmanship and a distinctive approach to design. Natural materials, colour and texture are at the core of the brand’s DNA, shaping rugs that respect both the origin of the materials and the social context in which they are made, while emphasising craftsmanship. Alongside its own collections, Cumellas collaborates with artists and designers, bringing new perspectives and expanding the language of rugs into more experimental and expressive territories.
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Botané is building a new category at the intersection of interior design, sustainability and modern aesthetics. Created to bring botanical design into everyday spaces, Botané offers a lasting alternative to perishability, designed to remain rather than disappear. Approached as an interior discipline, botanical design is treated with the same intention as furniture, objects and architectural elements. Each composition is shaped through proportion, texture and spatial balance, becoming part of how a space is experienced rather than something that fades from it. More than decoration, botanical design shapes atmosphere; calm, coherent and enduring.
Botané
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