1882 Ltd.

1882 Ltd.
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Based in Stoke-on-Trent, 1882 Ltd. was founded in 2011 by fifth generation ceramics family, Emily Johnson and her father Christopher, as a design-driven ceramics company focused on a progressive, innovative and dynamic ethos that marries traditional skills with contemporary thought and silhouette. Producing essential objects and limited edition pieces, 1882 Ltd highlights the centuries of industrial heritage craft expertise that resides in the heart of the British ceramics industry, Stoke-on-Trent. Collaborating with creative visionaries such as Shona Heath, Max Lamb, Bruce McLean and John Pawson, 1882 Ltd. successfully manages to bridge the gap between contemporary works of art, and functional, design driven products made for everyday use.

For their debut at 3daysofdesign 2024, 1882 Ltd will be showing for the first time their latest collaboration with British furniture designer, Max Lamb - Crockery Pink - a full, open edition collection of tableware and limited edition Big Vase. Building on many years of successful collaboration, Crockery Pink Big Vase will form part of 1882 Ltd's Icon Collection, a body of work that encompasses the impossible, the oversized, the complex and the unique, imagined and made in collaboration with the art and design world’s most respected and renowned designers and studios. Crockery Pink reimagines the rough, hewn texture of the Crockery collections with bold colours, contrasting the functionality with vibrancy and joy.

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String Furniture is a Swedish design company producing a range of modern classics and contemporary furniture brands. More than 95% of its furniture is made in Sweden, using renewable, recyclable or recycled materials. String has earned a place in design history thanks to the elegant simplicity and ingenious construction of its systems, which can be assembled in countless configurations and remain as relevant today as when first introduced in 1949. The collection includes Pira G2, originally conceived by Olle Pira in 1954 and reinterpreted in 2023 by Anna von Schewen and Björn Dahlström, as well as Museum, designed for the reopening of the Swedish Nationalmuseum, and Relief, a modular system created by TAF Studio.
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Established in 2020 in Armenia, OCHRE merges artistic ideas with artisanal expertise to craft objects for everyday life. At the heart of OCHRE’s practice is wool—a material that serves as both a physical foundation and a source of reflection. Yet wool is a starting point, never an obligatory final destination. In recent years, OCHRE’s collections have expanded into the world of embroidery, ceramics, and beyond. OCHRE creates objects for everyday life, guided by a search for more sustainable ways of relating to materials, to histories, and to one another.
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For more than a century, Knabstrup Keramik has been a place where ceramists and designers meet around the material, the craft, and the ideas behind form. The collaboration between artists, craftsmanship, and production continues to shape the development of the brand. Today, Knabstrup Keramik builds on this tradition by continuously inviting new creative voices to explore the possibilities of ceramics in a dialogue between the archive and contemporary craft. Experience the art of ceramics up close — where details, materials, and collaborations become the starting point for new interpretations of ceramic craft.
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Saba is a female-led company with a design philosophy rooted in strong, thoughtful concepts. The mission is to seamlessly blend the functional virtues of design with an emotional, expressive language. Every Saba space is characterized by soft, rounded forms, deliberately free of sharp edges, to evoke a sense of comfort and welcome. The brand places exceptional emphasis on detail, particularly in its meticulous choice of textiles and coverings. A defining principle of Saba is the harmony between freedom and poetry, reflected in the flexibility of its products, the richness of its colors and fabrics, and the guiding creative vision. Combined with precise tailoring and artisanal touches, these elements result in Saba’s signature aesthetic.
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WOODNOTES
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