Zeitraum
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With experience and passion in working with solid wood, ZEITRAUM stands for a modern, reduced design language and sustainable approach. Founded in 1990, it was the first German furniture manufacturer to focus on combining ecology and design. Sustainability is not a trend but a fundamental corporate philosophy. Solid hardwoods from renewable sources are processed into furniture of lasting value by combining knowledge of materials with contemporary design. No chemical treatment of the wood is used. Due to solid wood's high reparability and their products' modular construction, the repair is easy and possible at any time. In cooperation with selected designers, ZEITRAUM develops high–quality furniture for living areas and contract sectors.

Within the historic rooms of the Odd Fellow Palace, a contemporary landscape of fabric and wood unfolds. Textile surfaces shape the architecture—creating openness, depth, and new lines of sight. ZEITRAUM invites visitors to experience furniture where reduction becomes precision, and craftsmanship brings vitality. Two new designs reflect this ongoing evolution: the SIT Webbing chair, with woven cotton belt, unites textile lightness with structural clarity. The high table TURNTABLE HIGH carries forward the essence of the original—archaic in form, refined in expression. An exhibition about what endures, when the visible fades and the feeling remains.

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MOTARASU crafts design objects within lighting, furniture and interior that unites the clean, functional elegance of Danish design with the poetic beauty and refined simplicity of Japanese aesthetics to bring joy. Dedicated to creating timeless, sustainable pieces that evoke tranquillity and harmony, transforming everyday spaces into serene environments. By blending the best of both cultures, MOTARASU aspire to induce mindful living, elevate interiors with pure forms and natural materials, and infuse them with a quiet, understated elegance that speaks to the soul. During 3daysofdesign MOTARASU launches a new pendant by Ryota Yokozeki.
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For more than 55 years, FRANDSEN has worked with light and lighting, and this is still a cornerstone in the heritage. Under the headline ‘In celebration of light’ FRANDSEN's goal is simple: unfold the many functions of good lighting—be it visual, social or sensual, to enrich people’s everyday lives. Through ambitious collaborations with international designers, FRANDSEN aims to further explore the interplay between light, material, and form. A lamp might still be a lamp, but FRANDSEN will perpetually push the boundaries of what’s possible, creating lighting solutions both functional and yet aesthetically pleasing.
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At their workshop on Portugal's Silver Coast, De La Espada combines artisanal furniture making savoir faire with rigorous, research–based contemporary design. Their portfolio of iconic and timeless pieces includes designs by their in–house studio, De La Espada Atelier, and by great figures in the world of international design. Specialising in woodworking and upholstery, they also collaborate with Portuguese artisans across disciplines. De La Espada sits at the heart of design and craft in Portugal and represents true luxury: creativity rather than imitation; extensive research and development; traditional methods that are in scarce supply; a singular aesthetic point–of–view; and no compromise when it comes to materials or effort.
De La Espada
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Belgium is Design is an initiative created to promote Belgian design on the international stage. Active since 2011, it brings together designers, studios and companies under a shared identity and a recognized label of quality. Through curated collective projects at major international design events, Belgium is Design highlights the creativity, innovation and know-how that define Belgian design. By combining cultural promotion with economic development, the initiative strengthens the international visibility of Belgian talent while ensuring high professional standards and meaningful connections with global markets. Belgium is Design is led by Wallonie‑Bruxelles Design Mode, Flanders District of Creativity and MAD Brussels.
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Mosa is a Dutch ceramic tile company with over 140 years of experience. Since 1883, all tiles have been designed, developed and produced in Maastricht, in close collaboration with architects and designers worldwide. Mosa creates high–quality ceramic surfaces that enhance spaces and elevate everyday environments, from large–scale public spaces to iconic commercial property to private homes. With a team of over 400 specialists, the company combines craftsmanship with advanced production techniques such as double firing, ensuring exceptional durability and precision throughout all applications. Innovation and material development are central to its approach, reflected in certifications such as Cradle to Cradle Certified® Full Scope Gold V4.1.
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Botané is building a new category at the intersection of interior design, sustainability and modern aesthetics. Created to bring botanical design into everyday spaces, Botané offers a lasting alternative to perishability, designed to remain rather than disappear. Approached as an interior discipline, botanical design is treated with the same intention as furniture, objects and architectural elements. Each composition is shaped through proportion, texture and spatial balance, becoming part of how a space is experienced rather than something that fades from it. More than decoration, botanical design shapes atmosphere; calm, coherent and enduring.
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Otur aims to craft objects that feel as relevant today as they will decades from now. The creations are entirely handmade in Belgium. From the wood base to the linen shade: a local network of craftsmen turns every lamp into a unique piece. No two are the same. Complementary lamps with a distinct personality, each one bringing a sense of calm and serenity into a space.
Otur
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The name EDITORA means "editor."​ Based in Japan—a nation far from where the great masters of design once lived—they have always viewed their work through a unique lens. This distance has granted a different perspective. EDITORA's foundation lies in the firm MAKE AND SEE, which has designed and manufactured bespoke furniture for Japan’s finest hotels and restaurants for over ten years. Throughout this journey, their work has been rooted in a profound, unwavering respect for the masters. A brand that distills the experience, philosophy, and cultivated vision over years of craftsmanship. Each piece is realised by Japan’s leading artisans—it is its definitive response to the legacy of these greats.
EDITORA
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