Zeitraum

Zeitraum
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With experience and passion in working with solid wood, ZEITRAUM stands for a modern, reduced design language and sustainable approach. Founded in 1990, it was the first German furniture manufacturer to focus on combining ecology and design. Sustainability is not a trend but a fundamental corporate philosophy. Solid hardwoods from renewable sources are processed into furniture of lasting value by combining knowledge of materials with contemporary design. No chemical treatment of the wood is used. Due to solid wood's high reparability and their products' modular construction, the repair is easy and possible at any time. In cooperation with selected designers, ZEITRAUM develops high–quality furniture for living areas and contract sectors.

Within the historic rooms of the Odd Fellow Palace, a contemporary landscape of fabric and wood unfolds. Textile surfaces shape the architecture—creating openness, depth, and new lines of sight. ZEITRAUM invites visitors to experience furniture where reduction becomes precision, and craftsmanship brings vitality. Two new designs reflect this ongoing evolution: the SIT Webbing chair, with woven cotton belt, unites textile lightness with structural clarity. The high table TURNTABLE HIGH carries forward the essence of the original—archaic in form, refined in expression. An exhibition about what endures, when the visible fades and the feeling remains.

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Elvang creates responsibly produced textiles which combine timeless Nordic design with exquisite Peruvian craftsmanship. Its story is one of ethics, integrity and respect. It began in 2002, when the founders Tina and Lasse Elvang learned about the qualities of alpaca wool during a backpacking trip to Peru. Today the textiles are sold worldwide, and their social and environmental commitment remains unchanged. Making responsible choices lies at the heart of Elvang. This has led to the highest level of recognition within the World Fair Trade Organisation (WFTO) as a Guaranteed Member and participation in the UN Global Compact Initiative, ensuring that their supply chains and business model put people, the planet and animals first.
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Tiles as objects of possibility. Tiles that leave a sensory imprint. Tiles connecting future and past, design and craftsmanship, Japan and the world. Alternative Artefacts Danto is a dialogue between tiles and contemporary design. The new brand, also known as A.a. Danto, explores the possibilities of tiles as interior objects, pushing the boundaries of material, form and function.
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Slept begins with the belief that a good day starts with a great night’s rest. Its beds and sofas embody sustainable luxury, combining master craftsmanship, exceptional comfort, and innovative technology. No product is made at nature’s expense—only certified eco–friendly materials are used, crafted responsibly. Designed, developed, and meticulously made in Estonia, each piece reflects close collaboration with Estonian interior architects and the skill of master craftsmen. Slept creates contemporary designs that enhance the quality of time at home—because how the day begins shapes everything that follows.
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Artisan is internationally recognised for its refined approach to furniture design and exceptional craftsmanship. Handcrafted from seven species of solid wood, each piece is produced in Bosnia and Herzegovina within a technologically advanced manufacturing facility surrounded by dense forest—a space that evolved from a traditional woodworking workshop with more than 60 years of history. Spanning seating, tables, sideboards, beds, and lighting, Artisan’s collections are defined by a deep respect for material, form, and the handmade process. At the core of the brand is a commitment to preserving the natural character of wood, ensuring each piece retains the warmth, authenticity, and integrity of the material from which it originates.
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Arthur Rottier is a designer and product developer based in Arnhem, the Netherlands. His practice moves between commissioned work and self–initiated projects, driven by an interest in how objects can be conceived and produced locally using contemporary means. The work is defined by advanced, computer–controlled engineering and production methods, careful finishing, and a restrained approach to form. Durability is central: materials are chosen for wear resistance, constructions are clear and legible, and connections are simple. Affordability is considered part of the design challenge. At the core of the practice lies the belief that beauty is essential to sustainability. Objects that are valued are cared for, and what is cared for lasts.
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Lise Vester Studio is a Copenhagen–based design practice working at the intersection of craft, design and atmosphere. Rooted in principles from healing architecture and neuroaesthetics, the studio explores how materials, light and form can support wellbeing and shift perception. The work spans sculptural lighting, optical objects and spatial installations developed through hands–on experimentation in close collaboration with makers. Each piece is conceived as a sensory tool—inviting pause, reflection and a deeper connection to place and self.
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Greenlandic designer Nickie Isaksen presents her brand Isaksen Design at the Greenland Representation during 3daysofdesign. Born in Paamiut and raised in Nuuk, Isaksen draws deeply on Greenland’s spiritual traditions, nature, and cultural heritage. Since founding her brand in 2002, she has worked to tell Greenland’s story through timeless, handcrafted fashion.
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