wa/ter

wa/ter
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wa/ter was founded in response to the excessive waste in interior design, where projects are rapidly planned, demolished over time, and never passed down. This led to the fundamental question: “Have we, as designers, failed to create designs with lasting value?” Through design, wa/ter uncovers new meaning and circulation in materials once shaped by human hands but left without purpose.

wa/ter presents a collection of products that embodies its design philosophy—breathing new life into resources that have lost their original purpose. The collection highlights the inherent beauty of materials with minimal intervention, allowing their natural characteristics to take centre stage. It features furniture, objects, and products crafted from recycled glass sourced from CRT television screens and fluorescent lamps, and Tatsuyama stone from Hyogo Prefecture, a material quarried in Japan for 1.500 years. The collection also includes terrazzo, created by blending recycled glass with natural elements like marble, minerals, and soil.

Related Exhibitions
Gudbrandsdalens Uldvarefabrik (GU) is a Norwegian textile manufacturer based in Lillehammer, known for its craftsmanship, material expertise, and timeless design. Rooted in Norwegian nature and tradition, GU develops upholstery textiles that combine aesthetics, durability, and sustainability. All production takes place locally, with every stage—from spinning to weaving and finishing—carried out under one roof. This ensures full control over quality, traceability, and responsible production. With a deep understanding of wool’s natural properties, GU refines and reinterprets the material to meet the needs of contemporary interiors.
Gudbrandsdalens Uldvarefabrik
January 7, 2025
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Pit–To–Table is a materials manufacturer transforming agricultural waste into sustainable interior surfaces. Produced in Cyprus, Pit–Board is a bio–composite panel made from discarded olive pits sourced from local olive farms. By turning an abundant by–product of the olive industry into a functional design material, Pit–To–Table supports circular production and reduces waste. Designed for interior architecture and furniture applications, Pit–Board combines natural texture with durability and a warm, distinctive appearance. The material offers designers a renewable alternative to conventional boards while connecting contemporary spaces to Mediterranean agricultural heritage.
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Tōseibo is a Copenhagen–based ceramic studio that specialises in handcrafted tea and coffee ware, flower and incense vessels. All the ceramic works are designed to facilitate beauty in daily rituals through practical functionality. Behind the studio is Longfei Tōsei Wang, a Chinese–born Danish multi–artist. Shaped by years of experience in classical music and visual storytelling, his work bridges East Asian traditions and Scandinavian aesthetics. Through ceramics, he continues to expand into the worlds of art, product design, and architectural expression.
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Bread and Butter is an itinerant exhibition platform that explores everyday rituals through the concept of paired objects. Transforming everyday spaces—such as bookstores, salons, restaurants, and parking lots—into stages for collaboration, designers from different generations and cultural backgrounds translate their personal routines and local traditions into perfectly matched pairs. Just as "bread and butter" signifies something essential and inseparable, the paired objects form functional, aesthetic, and social relationships—quietly conveying each designer's experiences and contexts, while opening space for new connections and creative dialogue with local communities.
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The Italian Embassy in Denmark is located in an elegant historic residence in the heart of Copenhagen, reflecting both architectural refinement and diplomatic tradition. The residence has long served as a distinguished setting for fostering relations between Italy and Denmark, symbolizing the enduring cultural and political ties between the two 
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DUX High-Performance Sleep Systems are the result of nearly nine decades of research and testing. Four generations of the Ljung family have aspired to produce the most comfortable and technologically advanced beds on the market. The Swedish roots reflect in the highest quality and long tradition. Increasing comfort, performance and longevity have been the DUX goals since the beginning. The technology works and DUX has the history to prove it.
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Dagmar has over a decade of expertise in restoring and working with classic 20th–century Scandinavian furniture. Rooted in the principles of Scandinavian Modern design, the brand is defined by the balance of beauty, craftsmanship, and function developed during the golden era of 1930 to 1970, a movement that continues to shape contemporary design today.
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Rooted in Sweden and shaped by a long–standing love for textiles since 1910, Jakobsdals creates interior where softness leads the way. In Jakobsdals part of the universe, the edges are less edgy, the corners a little rounder and life much softer. Every detail is designed to bring a sense of warmth and ease into everyday living. The collections span from fluffy cushions, statement rugs and quirky decor to characterful furniture—each piece designed to add both comfort and personality to the home. Go hard or go home, they say. If you ask Jakobsdals? Go soft and go home.
Jakobsdals
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