TOM DIXON

TOM DIXON
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Tom Dixon, founded by the eponymous British designer Tom Dixon, stands as a global design powerhouse. Renowned for innovative creations such as the Melt pendant, Mirror Ball, and other instantly recognisable designs, the brand seamlessly blends craftsmanship and contemporary design. Its avant-garde approach to lighting, furniture and accessories has earned it a place in prestigious museums worldwide, including the V&A in London, MoMA in New York, and the Pompidou Centre in Paris. The London studio in Kings Cross serves as the epicentre of Tom Dixon's creative prowess. Embracing the ethos of innovation, honest materials, and longevity, Tom Dixon has become a global design trailblazer with an unwavering commitment to pushing boundaries.

Tom Dixon unveils THE SHOP— a pop–up microstore in the heart of Copenhagen. Tom says: "The Emperor Napoleon famously described the British as ‘a nation of shopkeepers’—and we all know what happened next! We’re proud to embrace this description as we launch THE SHOP, a temporary, optimally sized city–centre microstore that reflects our ongoing international expansion. Identical boutiques are opening in New York, Sydney, and Taipei over the next three months. After all, who doesn’t love shopping?" Visitors are invited to explore AW25 lighting novelties, including SOFT, WHIRL, and POSE, a preview of the SS26 collection, featuring Jack—an addition to their portable lighting collection, and the latest decorative accessories.

Related Exhibitions
Massproductions creates furniture and accessories that enrich design culture, drawing inspiration from the factory as both a production tool and a creative muse. Founded in 2009 by Swede Magnus Elebäck and Brit Chris Martin, Massproductions is built on their friendship and complementary skills. The company’s success thrives thanks to the talented team in their Stockholm office. Over the years, Massproductions has become an exciting and even audacious collection. Yet each piece remains practical and relevant.
Massproductions
October 25, 2022
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Furniture is understood as a concept with a will of its own, conveying a distinct expression. Källemo’s ambition is to create objects that endure over time— aesthetically, artistically, physically and metaphysically. As founder Sven Lundh once stated, “An object shall stand the wear of the eye,” recognising that visual endurance is the most demanding test. Källemo collaborates with designers and artists who value quality beyond trends, while possessing the ability to surprise, challenge and contribute strong personal expressions. The brand places equal trust in the precision of cutting–edge technology and in the hand that adds the final, personal and almost magical touch.
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Vitra believes that environments shape thoughts and feelings, be it at home, work, or on the go. Vitra, a family business in its third generation, strives daily to enhance surroundings through the power of design. The company is committed to an environmental, cultural, and commercial mission. Environmental consciousness is embedded in every facet of Vitra’s work, evident in product development, manufacturing processes, raw material sourcing, and supply chain organisation. Vitra embraces every new insight as an opportunity for further development.
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Kusch+Co is a German furniture manufacturer with 85 years of tradition. As a design-driven brand owned by Nowy Styl, it is recognized worldwide for outstanding quality, exceptional design, iconic furniture, and specialized solutions for offices, public spaces, airports, and healthcare facilities. Long-standing collaborations with renowned designers such as Luigi Colani, Karim Rashid, Jorge Pensi, Studio F.A. Porsche, Norbert Geelen, Scaffidi & Johansen, brodbeck-koepp design, and kaschkasch lend each product a distinctive character and reinforce a strong commitment to design excellence. For 85 years, Kusch+Co has upheld the belief that 'quality is irreplaceable'.
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Other Exhibitions
Vibeke Fonnesberg Schmidt creates exclusive bespoke lighting pieces. Working with plexiglass and brass, she develops lamps shaped by a close dialogue between colour, transparency, and form. Layered hues and shifting light create depth and visual presence, while patinated brass adds a warmer, tactile tone. Each lamp is a sculptural object that brings a composed architectural presence to a space. She also creates larger installations by grouping multiple lamps. Vibeke Fonnesberg Schmidt collaborates with Nilufar Gallery in Milan and designs for Gubi.
Vibeke Fonnesberg Schmidt
February 14, 2022
Based in Uji, Kyoto, Asahiyaki is among the oldest ceramic kilns in Japan, having crafted tea wares in the same family for 425 years.
This rich history provides a unique perspective of time. Clay used today was extracted two generations ago, just as new clay is prepared for future generations. Tea vessels are not considered complete when they emerge from the kiln; they reach fulfilment gradually, through years of daily use. Besides making artistic pieces for the tea ceremony and sencha wares for daily use, Asahiyaki collaborates with global brands and restaurants on bespoke tableware collections. Every piece is thrown by hand on the pottery wheel by skilled artisans.
Asahiyaki
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Based in Copenhagen, Stelton is a family–owned design house rooted in the Scandinavian design tradition. Since its founding in 1960, the company has developed a strong international presence through collaborations with leading designers worldwide. With a clear and disciplined approach to form, function and material, Stelton creates design families defined by proportion, longevity and everyday relevance. Working with designers who regard simplicity as a method rather than a gesture, the brand develops objects that endure beyond seasonal trends. At 3daysofdesign, Stelton presents its current collection within a setting that highlights process, materiality and the considered decisions behind each object.
STELTON
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Based in India, the studio is rooted in ancient wisdom, where sustainability and care are integral to everyday living. Working closely with local artisans and locally sourced wood, the furniture draws from South Asian traditions of sitting and spatial setting. Naturally seasoned, aged trees—crafted without nails or screws—form the core language of the work. A life–centred approach ensures no harmful disruptors enter the environment, protecting everyone from maker to end user. Continually pushing the boundaries of furniture typology, the studio explores Indian minimalism while revisiting traditional skills through a contemporary lens, creating pieces that hold space and life in equal measure.
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