Tokio.
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Tokio. is a design brand founded by Gorazd Malačič in 2011, blending Japanese design principles with advanced technology. Known for its refined, minimalist approach, the brand creates high-quality lighting and furniture solutions. Tokio.'s designs emphasize precision craftsmanship, appealing to professionals across various fields. The brand continues to push the boundaries of innovation in design, showcasing its work at international design festivals.

Tokio. presents a spatial installation in dialogue with glass artist Elis Monsport, bringing together key pieces including the UEBU Hachi composition, Mori shelving, Totem table lamp, and a series of carbon fiber lighting objects. Through the interplay of contrasting materials - glass, carbon fiber, aluminum, and wood - the installation explores how distinct elements coexist within a unified spatial language. Precision meets tactility, reflection meets structure. Light is treated as a constructed element, extending beyond function into form. Each piece holds its own presence, yet contributes to a larger composition defined by rhythm, balance, and restraint. Where material clarity shapes space.

Related Exhibitions
Introducing Display / Displayed, a group exhibition for 3daysofdesign in collaboration with Simone Book Services that looks at objects of and for display across books, design, and photography. An exercise in creative collaboration, the presentation has been curated and produced by marketing agency Large Office, photography studio Mannners, sculptor Nicholas Shurey, and brand consultant Rhya Johnston-Wallace. Bringing together the works of international artists and local collaborators, it features works from Aarticles (Copenhagen), Anton Defant & Karst (Berlin), Derya Arpaç (Copenhagen), Jessi Burch (New York), Justine Menard (Barcelona), Luna Schulze (Copenhagen), Nicholas Shurey (Copenhagen), and Palsgaard kunstauktioner (Brøndby).
Display / Displayed
May 27, 2026
Part of 2026
For 3daysofdesign, Chylak presents a series of site–specific works in bobbin lace, developed for the Copenhagen flagship store Baum und Pferdgarten. Rooted in a shared cultural narrative between Copenhagen and Warsaw, the works draw on the story of Bertel Thorvaldsen’s monument to Józef Poniatowski and its journey across time and place. At the centre of the exhibition is the horse motif, reinterpreted through delicate lace into a light, almost transparent structure bridging history, craftsmanship, and contemporary fashion. Installed in dialogue with the space, the works form a subtle “lace entrance,” creating a layered, immersive environment.
Zofia Chylak
March 12, 2026
Materials
Part of 2026
Summer Nights is a curated spatial installation presented during 3daysofdesign. Located opposite Kongens Have and Rosenborg Castle, the exhibition examines the atmosphere of a summer night in Copenhagen through material presence and spatial composition. Exhibitors: Birgitte Due Madsen, Escential CPH, Estudio Vernis, Kilzi, Tameko & Unwonted.
Summer Nights
March 31, 2026
Materials
Rug & Floor
Accessories
Lighting
Furniture
Designs Of The Time is a Belgian company founded in 1998 by the Puylaert family. In their interior textiles, they embrace a sense of imperfection that complements their love for natural materials and casual, untreated looks. The work of this family revolves around a deep love for craftsmanship, authenticity and thoughtful creative designs.
This, along with their gentle character, results in interior textile collections of discrete luxury that breathe a troop of warm feelings into every home.
designs of the time
March 6, 2025
Materials
Rug & Floor
Part of 2025
Part of 2026
Other Exhibitions
Gemla is a contemporary furniture maker—and always has been. Yet at the same time, they verge on being an anachronism. Always have. The company was founded in 1861, specialising in steam–bent furniture. It’s steam that makes bentwood furniture so exceptionally durable, yet graceful. On the factory floor, guided by the knowledge of craft, the brand meets patience, care and sustainability, passed down through generations. It’s no coincidence that its pieces are in high demand for hotels and restaurants—settings that require equal parts aesthetics and durability.
Gemla Fabrikers
March 18, 2026
Furniture is understood as a concept with a will of its own, conveying a distinct expression. Källemo’s ambition is to create objects that endure over time— aesthetically, artistically, physically and metaphysically. As founder Sven Lundh once stated, “An object shall stand the wear of the eye,” recognising that visual endurance is the most demanding test. Källemo collaborates with designers and artists who value quality beyond trends, while possessing the ability to surprise, challenge and contribute strong personal expressions. The brand places equal trust in the precision of cutting–edge technology and in the hand that adds the final, personal and almost magical touch.
Källemo
December 14, 2023
Lapuan Kankurit is a linen and wool weaving mill based in Lapua, Finland. Their roots go all the way back to 1917, and today the company is led by the fourth generation. Together with top designers and professionals in the weaving industry, they weave sauna and spa textiles as well as wool blankets and other interior textiles from natural raw materials. They carry the responsibility of passing on the craftsmanship of weaving to the future generations. Lapuan Kankurit weaves responsibly, respecting the environment while continuously developing new innovations and techniques. They weave Nordic design, inspired by pure nature. To balance out the chilling climate of the north, they weave heaps of warmth and softness into their textiles.
LAPUAN KANKURIT
March 19, 2026
There is something really nice about getting up close—to the furniture, the makers, the production process. A. Petersen creates furniture with a focus on quality, craftsmanship and respect for professional expertise. Theor products are designed, developed and produced in Denmark. Furniture from A. Petersen is crafted with the intention to renew the Danish design tradition and carry it into the 21st century. Not in a grand or rapid way—for the sake of scale or tempo—but in a measured, serious way, for the sake of current time as well as posterity, because furniture should last a lifetime, and hopefully even longer. A good piece of furniture only becomes more beautiful through time and use, as lived life leaves its mark on the materials.
A. Petersen
April 20, 2026
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