The Material Way

The Material Way
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The Material Way is a new collaborative platform for material-based studies focused on supporting curious creators who strive to craft a more holistic, local, and nature-minded future. Founded by curator and communicator Rita Trindade (Through Objects) and multidisciplinary designer Bonnie Hvillum (Natural Material Studio), it gathers artists and researchers in two international programs: Local Bio-based Materials and Natural Materials in Ceramics. The culmination of these two programs will be showcased at a group exhibition during Denmark's Design Festival, 3daysofdesign.

During 3daysofdesign, The Material Way unveils bio-based objects & materials crafted by students exploring the intersections of research, ceramics, art, and design. Hosted amidst the green oasis of Øens Have in the RefshaleØen district, this exhibition promises an experimental approach to design, pushing the boundaries of traditional exhibition concepts.

Related Exhibitions
Trained as an architect, Finn Juhl approached furniture as an artistic discipline rather than a purely functional task. His work challenged established ideas of construction and use, introducing sculptural forms and a clear sense of proportion that helped shape Danish modernism. For more than two decades, House of Finn Juhl has held the exclusive rights to revive and produce Finn Juhl’s furniture designs, working to preserve the intent and principles behind his work—an approach that continues to resonate across generations.
House of Finn Juhl
January 10, 2022
Furniture
Part of 2022
Part of 2023
Part of 2024
Part of 2025
For 3daysofdesign, Chylak presents a series of site–specific works in bobbin lace, developed for the Copenhagen flagship store Baum und Pferdgarten. Rooted in a shared cultural narrative between Copenhagen and Warsaw, the works draw on the story of Bertel Thorvaldsen’s monument to Józef Poniatowski and its journey across time and place. At the centre of the exhibition is the horse motif, reinterpreted through delicate lace into a light, almost transparent structure bridging history, craftsmanship, and contemporary fashion. Installed in dialogue with the space, the works form a subtle “lace entrance,” creating a layered, immersive environment.
Zofia Chylak
March 12, 2026
Materials
Part of 2026
Good quality, craftsmanship and Danish production were the key principles that Duus & Møller was founded upon, and the ambition is to keep working by that mantra. The passion for Danish craftsmanship and Danish design is rooted in traditions and a guiding principle to increase the sustainability of Duus & Møller's furniture collection. The brand collaborates with competent architects and combine Danish craft traditions with new ideas from young, talented cabinetmakers. Duus & Møller furniture is developed with inspiration from Danish design classics. This is done through minimalistic models made from solid FSC–certified wood, handcrafted and cared for with a respect for the raw material. Duus & Møller furniture is made to last.
Duus & Møller
February 1, 2023
Furniture
Part of 2023
Part of 2024
Part of 2025
Part of 2026
Founded in 2010 in Copenhagen, &Tradition is an international brand, built on a Danish legacy of craftsmanship and design. &Tradition tell stories with originality. Whether the starting point is new or re–issued, they are passionate about designing the classics of tomorrow. They believe in empowering their employees and network of creatives, designers and partners to take an active part in their journey as a brand. With the planet and the people at the core, we strive to always act conscientiously.
&Tradition
January 6, 2022
Accessories
Furniture
Outdoor
Part of 2022
Part of 2023
Other Exhibitions
RARERAW is a modular furniture brand that moves beyond fixed forms, allowing its systems to be flexibly interpreted in the space between structure and sensibility. Rather than viewing furniture as a finished object, RARERAW understands it as a structural unit that shapes space. Each module functions as part of a larger framework that evolves through use, interaction, and context. Designed to respond to changing environments and lifestyles, the system encourages openness rather than prescription. As spaces change, RARERAW adapts—inviting users to reconfigure, reinterpret, and gradually complete the system over time.
rareraw
December 23, 2025
Galleri Sonja is visiting from Bornholm. Once a saddle maker’s shop from the early 1800s, Galleri Sonja is now a place where craft, culture, and community meet in the gentle rhythm of slow living. The gallery is not only a space for experiencing art, it is also a space where knowledge of craft is shared and passed on. Through exhibitions and conversations, Galleri Sonja helps preserve and expand understanding of traditional and contemporary craft. Inspired by Bornholm’s nature and light, its tactile materials resonate with works by local and international artists. During 3daysofdesign, you can visit Galleri Sonja in Kvindernes Bygning.
Galleri Sonja
February 24, 2026
Ariake is a Japanese furniture brand founded by Legnatec and Hirata Chair, two manufacturers from the furniture–producing town of Morodomi in Saga Prefecture, each with over four decades of craft heritage. The brand takes its name from the Ariake Sea; “ariake” also means daybreak, marking a new chapter for its founding makers. The collection is developed under the creative direction of Gabriel Tan, in close collaboration with Morodomi's craftsmen and an international roster of designers, with the aim of creating new Japanese design icons. Each piece balances delicacy with structural precision, with careful attention to wood joinery, combining hand and machine production in equal measure.
ARIAKE
February 2, 2026
Based in Uji, Kyoto, Asahiyaki is among the oldest ceramic kilns in Japan, having crafted tea wares in the same family for 425 years.
This rich history provides a unique perspective of time. Clay used today was extracted two generations ago, just as new clay is prepared for future generations. Tea vessels are not considered complete when they emerge from the kiln; they reach fulfilment gradually, through years of daily use. Besides making artistic pieces for the tea ceremony and sencha wares for daily use, Asahiyaki collaborates with global brands and restaurants on bespoke tableware collections. Every piece is thrown by hand on the pottery wheel by skilled artisans.
Asahiyaki
January 31, 2026
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