The Material Way

The Material Way
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The Material Way is a new collaborative platform for material-based studies focused on supporting curious creators who strive to craft a more holistic, local, and nature-minded future. Founded by curator and communicator Rita Trindade (Through Objects) and multidisciplinary designer Bonnie Hvillum (Natural Material Studio), it gathers artists and researchers in two international programs: Local Bio-based Materials and Natural Materials in Ceramics. The culmination of these two programs will be showcased at a group exhibition during Denmark's Design Festival, 3daysofdesign.

During 3daysofdesign, The Material Way unveils bio-based objects & materials crafted by students exploring the intersections of research, ceramics, art, and design. Hosted amidst the green oasis of Øens Have in the RefshaleØen district, this exhibition promises an experimental approach to design, pushing the boundaries of traditional exhibition concepts.

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For more than 55 years, FRANDSEN has worked with light and lighting, and this is still a cornerstone in the heritage. Under the headline ‘In celebration of light’ FRANDSEN's goal is simple: unfold the many functions of good lighting—be it visual, social or sensual, to enrich people’s everyday lives. Through ambitious collaborations with international designers, FRANDSEN aims to further explore the interplay between light, material, and form. A lamp might still be a lamp, but FRANDSEN will perpetually push the boundaries of what’s possible, creating lighting solutions both functional and yet aesthetically pleasing.
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Aesop was established in Melbourne in 1987, and has since been developing efficacious and aromatic formulations for the skin, hair, body and home, guided by a sincere interest in intelligent design—their pared–back containers are created with the utmost care to ensure functionality and pleasure, and each store interior is created with careful consideration to the fabric of its neighbourhood. Avant–garde and sensitive store design has been and will continue to be an integral part of what Aesop is—true to the brand’s conviction that few things are more conducive to a life well-lived than well–considered design.
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Swedish School of Textiles' programme is a global leader in reimagining textiles, pushing the boundaries of creativity and innovation. Here, students are empowered to explore the expanded field of textile design through cutting–edge areas like Textile Craft, New Materiality, Innovation, and Digital Specialisms. Its department equips students with the skills and vision needed to thrive in the textile industry and beyond, fostering bold designs that blend art, technology, and sustainability.
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Founded in 2010 in Copenhagen, &Tradition is an international brand, built on a Danish legacy of craftsmanship and design. &Tradition tell stories with originality. Whether the starting point is new or re–issued, they are passionate about designing the classics of tomorrow. They believe in empowering their employees and network of creatives, designers and partners to take an active part in their journey as a brand. With the planet and the people at the core, we strive to always act conscientiously.
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Founded in 1955 in Denmark as a small family workshop specialising in upholstery, Wendelbo began its journey with an unwavering commitment to craftsmanship. Over seven decades and three generations, the legacy of the Wendelbo family has continued to thrive and evolve. Today, Wendelbo is a global design company, collaborating with renowned international designers. By bridging bold shapes, skilled craftsmanship, and uncompromising quality, Wendelbo defines a new language of modern elegance.
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Furniture ought to make room for people. That has been the philosophy since 1942, when FDB Møbler was founded, with architect Børge Mogensen heading up the studio. Many new designers have since entered the fold, but the foundational principles remain the same: To create beautiful, functional and exceptionally crafted furniture that makes room for everyday living at home. FDB Møbler is internationally known as a frontrunner of Danish design. It’s a story of classic pieces to be passed down from generation to generation. Regardless of whether they are talking about iconic pieces or new, innovative designs, the goal is the same: To have the veritable quality of life that was envisioned when the first pieces of furniture emerged in 1942.
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