Møbel Copenhagen

Møbel Copenhagen
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Møbel Copenhagen combines classic Danish design virtues with bold innovation to create the classics of tomorrow. The approach to design is best illustrated by imagining a dense Danish pine forest. While the trees symbolise the rich Danish design heritage, there remains room for something new and exciting—a blue mist that creeps through the trees. That blue mist symbolises Møbel's innovative spirit. By creating furniture that is both timeless and adaptable, designed to last for decades. This combination of Danish design tradition and forward–looking innovation is the core of Møbel Copenhagen's DNA and drives the ambition to create the classics of tomorrow.

MØBEL Copenhagen presents The Element of Space, an exhibition that pushes the limits of interior design. In collaboration with creative director Anders Sølvsten Thomsen, six monochromatic rooms take shape, each immersing visitors in a single colour. Furniture, materials, scent and texture merge into bold, sculptural statements that transform space into an experience. Set against a raw brutalist backdrop, the installation is an invitation to feel design in a new way: unfiltered and powerful. The exhibition highlights MØBEL Copenhagen’s commitment to customisation, offering new perspectives on form and atmosphere.

Related Exhibitions
Since Normann Copenhagen’s foundation in 1999, the brand's ambition has been to challenge conventional thinking and make the ordinary extraordinary through great design. By combining the craftsmanship, functionality and endurance characterised by its Danish design heritage with modern silhouettes and durable materials, Normann Copenhagen aims to create original products in a contemporary design that withstand the test of time. Normann Copenhagen believes in uniting people and spaces across the world and improving the quality of people’s lives through the power of great design. The brand's products combine functionality and design and accommodate the diversity of needs of modern life in residential and professional interiors alike.
Normann Copenhagen
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Studio Kajsa Willner creates bespoke design with a narrative and a strong focus on materiality. Through artistic research, low–tech craftsmanship, and conceptual thinking, the studio develops objects, sculptures, materials, and spatial installations, often using waste or secondary materials as a starting point. The work centres around the relationship between people, animals, nature, and resources. By researching historical materials, crafts, and production methods from a time when humans lived in closer symbiosis with nature, Willner seeks to explore empathic ways to relate to contemporary consumption and production.
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String Furniture is a Swedish design company that produces a number of modern classics and furniture brands. More than 95% of the furniture is made in Sweden, using renewable, recyclable or recycled materials. String has earned a place in design history thanks to the elegant simplicity and ingenious construction that can be put together in an infinite number of configurations and is just as modern as when it debuted in 1949. Pira, originally by Olle Pira in 1954, is a contemporary interpretation by Anna von Schewen and Björn Dahlström in 2023. Museum, designed for the reopening of the Swedish National Museum and Relief, a modular system, by TAF Studio. The latest contribution is Center Center, designed by Form Us With Love.
String Furniture
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Iittala’s design story began in 1881 and continues to thrive at the glass factory in Iittala village, Finland. With a deep commitment to craftsmanship, Iittala is a pioneer of avant–garde design in coloured glass and ceramics. Every piece created is more than an object—it reflects the skill, artistry, and experimental spirit of those who shaped it, preserving tradition while shaping the future of design.
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Aesthetic and technological research, design culture, innovation, and a creative spirit combined with functional quality and efficiency shape the identity of Luceplan, founded in 1978. The Luceplan catalogue offers an extensive and versatile range of lighting fixtures with high standards of performance and aesthetics, suited to a wide variety of applications and contexts. The brand’s experimental approach has long included a strong focus on environmental responsibility and energy efficiency, reflecting a forward-looking commitment to sustainable design.
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Marrimor objects are made to be as delightful as they are purposeful, a touch provocative too. Each piece comes into being by way of a relentlessly collaborative process, one that balances refinement with irreverence. Tanja Breadner and Lauren Bugliarisi both shoot for the moon, creatively speaking, albeit from reverse angles, drawing on different histories. Tanja brings Swiss sensibilities to the platonic design partnership, and Lauren an East Coast drive. They create through playful debate, continually pushing their respective boundaries to reach that Goldilocks–like zenith between too little and too much. They know they’ve landed as soon as they agree.
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Stillark is an architecture studio focused on the home and life within it. The studio’s mission is to enhance everyday living by creating timeless interiors designed to last. This philosophy also defines Stillark’s furniture collection, which is rooted in simplicity, functionality, and fine craftsmanship. Unlike traditional practices, Stillark works with custom solutions developed through three clear design frameworks, each carefully planned and guided by a Stillark architect. This structured process ensures a seamless experience and results defined by both individuality and precision. The balance between refined aesthetics and lasting quality defines Stillark’s approach to affordable luxury and shapes a holistic home — designed for life.
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Founded in 1985, Santa & Cole is an independent editor of thoughtful design objects, art and books headquartered in Belloch (Barcelona, Spain). It’s a practice rooted in a discerning eye: choosing pieces with intuitive precision, often created by others, and bringing them to light, sharing them widely, safeguarding authorship and championing their value. With an aesthetic which leans more timeless than futuristic, Santa & Cole favours history over fashion, silence over noise. From spectacle to substance: if objects can be read, it’s because they have something to say. These are slow–cooked products, crafted to last, designed to be passed down through generations.
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