KOS studio

KOS studio
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KOS Studio specializes in the fusion of interior and product design, driven by a profound dedication to quality craftsmanship and commitment to sustainability. Embracing the principles of soft minimalism and simplicity, objects by KOS Studio provides the idea that design should be more than just visually appealing. It should also engage the senses, creating a connection that captivates both the intellect and the body. Leading this concept, studio finds its mission in distilling the very essence of design, crafting pieces that not only capture the eye but also provide tactile experience.

At ‘Forward to the Roots', KOS Studio exhibition during 3daysofdesign, the spotlight falls on the blend of time-honored Scandinavian craftsmanship and contemporary design. The Balls Tables pay homage to the art of beadwork, a quintessential element in Nordic craft. This collection acts as a bridge between the past and the present, inviting the exhibition guests to touch and feel. Complementing the tables, the chair emerges as a modern throne, inspired by the lore of the Norse gods, weaving into the narrative of Scandinavian mythology. ‘Forward to the Roots' presents a journey through time while embracing modernity. Each piece narrates the tale of a return to origins, celebrating Scandinavian design - its past, present and future.

Related Exhibitions
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The Boffi|DePadova Way of Living is made up of details, customs and practices woven together into a rich tapestry. The group proudly narrates this story via the offering of interior systems and furniture elements where quality and consistency are fundamental values. Versatility and the intelligent use of interior space form the basis of the integrated design offer from Boffi|DePadova. These two aspects are expressed by the group in the way it develops not only individual products with a unique personality, but in its ability to put forth a complete project that conveys a distinct mood by merging different entities. It is a manifesto of contemporary architecture.
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