Knothouse

Knothouse
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Knothouse is deeply committed to the design process, crafting each rug to achieve harmony in energy, proportion, and composition. Their designs are a preferred choice for both high-end interior designers and discerning retail clients. Most rugs are made to order and available in custom sizes and colours — a tailored approach that not only meets individual preferences but also supports the brand’s sustainable values. Throughout the production process, Knothouse promotes environmentally responsible practices and is a proud member of GoodWeave.

Each of Knothouse's rugs is a visual text in itself. Knots become words and patterns become sentences. You can read your own patterns in them. They become immersion, sensual, tactile voyages of discovery in weaves and knots that invite reflection and interpretation. They are art that you can walk on, beautiful as poems, if you don't actually get the words of an author. The rhythm and grammar of a poem reason with the dance, structure and windings of the threads and are broken by the knot in the same way that the sentence ends with a period that interrupts a sequence. Text means: texture, as when the author William Heinesen writes: “The present is a weaver who draws her threads from eternity, the garment she weaves is the garment of life.”

Related Exhibitions
Helle Mardahl Studio operates at the intersection of art and functionality to create a dreamy universe of richly coloured glass designs of eccentric deviance. A graduate of London’s Central Saint Martins, Helle Mardahl is an artist and designer whose work is marked by a sense of lavishness and extravagance combined with a sense of flamboyance. As a designer, Helle Mardahl is concerned with the beauty of contrasts. Her richly coloured glass designs are alive and natural, fragile yet robust, simple yet ornate.
Helle Mardahl Studio
January 27, 2022
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The Home of Acoustic Design – Glimakra of Sweden takes great pride in collaborating with local suppliers, always with immediate access to the renewable resources of the forest. Long-term focus on design, quality, and a responsible production has been acknowledged through several international design awards, and as Glimakra of Sweden moves into a circular future and continues to create products that stand the test of time – over and over again.
Glimakra of Sweden
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Bread and Butter is an itinerant exhibition platform that explores everyday rituals through the concept of paired objects. Transforming everyday spaces—such as bookstores, salons, restaurants, and parking lots—into stages for collaboration, designers from different generations and cultural backgrounds translate their personal routines and local traditions into perfectly matched pairs. Just as "bread and butter" signifies something essential and inseparable, the paired objects form functional, aesthetic, and social relationships—quietly conveying each designer's experiences and contexts, while opening space for new connections and creative dialogue with local communities.
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Finarte is Finland's leading design house for rugs and soft accessories, creating award–winning interior items for joyful living. Founded in 1985 and now in the second generation, Finarte is a forerunner in sustainability, championing the use of recycled textiles and natural materials since its inception four decades ago. Inspired by Finnish weaving traditions, especially the räsymatto (rag rug), Finarte collaborates with Finnish designers and Indian artisans to reinterpret traditional craftsmanship, redefining Nordic design as they blend heritage with avant–garde aesthetics. During 3daysofdesign, Finarte can be found at two locations: PLAYROOM in District Kultur, and the Scandinavian Design Embassy in District Frederiksstaden.
Finarte
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Other Exhibitions
The name EDITORA means "editor."​ Based in Japan—a nation far from where the great masters of design once lived—they have always viewed their work through a unique lens. This distance has granted a different perspective. EDITORA's foundation lies in the firm MAKE AND SEE, which has designed and manufactured bespoke furniture for Japan’s finest hotels and restaurants for over ten years. Throughout this journey, their work has been rooted in a profound, unwavering respect for the masters. A brand that distills the experience, philosophy, and cultivated vision over years of craftsmanship. Each piece is realised by Japan’s leading artisans—it is its definitive response to the legacy of these greats.
EDITORA
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Kvadrat was established in Denmark in 1968 and has deep roots in Scandinavia’s world–famous design tradition. A leader in design innovation, Kvadrat produces high–performance, design upholstery and curtain textiles, rugs and acoustic solutions for both commercial and residential interiors. The products reflect their commitment to colour, quality, simplicity and innovation. Kvadrat consistently push the aesthetic, technological and functional properties of textiles. In doing so, they collaborate with leading designers, architects and artists including: Patricia Urquiola, Ronan and Erwan Bouroullec, Alfredo Häberli, Doshi Levien, Giulio Ridolfo, Peter Saville, Pipilotti Rist, Thomas Demand and Olafur Eliasson.
Kvadrat
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Astep is a young, contemporary design company with a rich legacy. Founded in 2014 by Alessandro Sarfatti with the vision of creating and curating timeless design objects with an innovative approach and environmental awareness. Astep offers thoughtful, long–lasting and carefully crafted lighting for home interiors, offices and design spaces alike. Based in Copenhagen and produced in Italy, Astep draws heavily on the Italian design legacy of the Sarfatti family and continuously strive to remain curious and evolving.
Astep
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HUBBUB develops 100% natural acoustic materials for architecture, replacing synthetic layers in acoustic systems. Made from jute fibres and natural latex, without added plastics, the material combines documented performance with long lifespan and architectural integrity. ESSENCE surfaces remain open and breathable, preserving acoustic performance while adding tactile depth. Natural elements are pressed into the surface, becoming part of its texture rather than applied decoration. Designed in Denmark, the material stores carbon and is developed for long-term use.
HUBBUB
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