EXPORMIM
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Since its inception in 1960, Expormim has consistently embraced a global perspective in design, craftsmanship and innovation. Their catalogues are made up of original pieces for indoor and outdoor use, committed to environmental sustainability, quality and good design. This is how they have quickly moved beyond the intimacy of the household, finding their place in an increasing number of contract projects, from luxury hotels and restaurants to chic cafés, gastropubs, and exclusive public and private events.

Expormim joins a new collaborative exhibition at The Conary, curated by Openhouse alongside Saba Italia, JOV, Mike Hausmann and Japan Form. Design unfolds through a sequence of spaces, each shaping how it is perceived, used, and felt. Expormim explores a sculptural reading of Mediterranean design with the openness of the atrium. Mike Hausmann portrays his wooden furniture collection through the personal intimacy of a room. Saba Italia’s pieces engage in the layered reality of an apartment, design and daily life framing one another. JOV and Japan Form act as a connective thread through texture, geometry, and light. Overall, each setting crafts a distinct state of living, revealing design as something that finds its form through context.

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For more than 50 years, Agape has been synonymous with design culture. Founded by the Benedini family, the brand offers a wide range of bathroom products that combine function with timeless design. Each object enters a natural dialogue with its surroundings, forming part of Agape’s architectural vocabulary. International in outlook yet deeply rooted in Mantua—the Renaissance city where its headquarters are based—Agape balances global vision with local heritage. Agapecasa, founded in 2009, reflects this passion for design culture and is dedicated to reissuing the original works of post–war Italian design master Angelo Mangiarotti.
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Since its foundation in 1911, the family–owned company Fredericia has proudly built a strong tradition of beautiful craftsmanship and innovative design, developed in close collaboration with a circle of internationally recognised names. Legendary designers such as Børge Mogensen, Hans J. Wegner, Mogens Koch and Nanna Ditzel, as well as contemporary figures like Barber Osgerby, Jasper Morrison, Cecilie Manz, and Maria Bruun, all play a role in shaping Fredericia into the design and craftsmanship institution it is today. Fredericia is a proud B Corp taking part in a global movement where people use business as a force for good—a holistic certification for social and environmental impact, transparency, and accountability.
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Other Exhibitions
Established in Copenhagen in 2017, Tekla creates elevated yet functional homeware pieces that centre a timeless, straightforward design expression. Since launching, Tekla has embodied an honest commitment to uncompromising quality. With a foundation in bedding, the full collection now comprises pieces for the entire home, including towels, sleepwear and blankets—all made to be lived in and made to last. Tekla holds B Corp certification, joining a global movement of people using business as a force for good. Tekla is available at its Copenhagen and London stores, globally online and through a handful of carefully selected retail partners in Europe, North America and the Asia–Pacific.
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Based in Copenhagen, Stelton is a family–owned design house rooted in the Scandinavian design tradition. Since its founding in 1960, the company has developed a strong international presence through collaborations with leading designers worldwide. With a clear and disciplined approach to form, function and material, Stelton creates design families defined by proportion, longevity and everyday relevance. Working with designers who regard simplicity as a method rather than a gesture, the brand develops objects that endure beyond seasonal trends. At 3daysofdesign, Stelton highlights the process, materiality and the considered choices behind each design.
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Marta is a Los Angeles–based, globally–engaged gallery for art and design. Founded by partners and designers Benjamin Critton and Heidi Korsavong in 2019, the gallery makes space for artists to experiment with the utility of design, and for designers to explore the abandonment of function. Marta’s curatorial and publication programs take interest in the process and facilitators of a work’s creation as well as the narrative of its creator(s). Marta embraces the intersection of and the transition between disciplines, advocates for diversity in design, and promotes broad access to the arts.
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