Secto Design
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Secto Design is a Finnish family–owned company known for its architectural, wooden design lamps. Each lamp is meticulously handmade at the company’s factory in Heinola, Finland, where locally sourced, certified birch wood meets sustainable production methods. The harmonious light of the luminaires and the warm tones of wood create an inviting atmosphere in both private and public spaces.

For the 2025 edition of 3daysofdesign, Secto Design returns to Copenhagen with its beloved classics, exciting technical innovations and the latest addition to its collection of sustainable wooden luminaires.

Related Exhibitions
Arthur Rottier is a designer and product developer based in Arnhem, the Netherlands. His practice moves between commissioned work and self–initiated projects, driven by an interest in how objects can be conceived and produced locally using contemporary means. The work is defined by advanced, computer–controlled engineering and production methods, careful finishing, and a restrained approach to form. Durability is central: materials are chosen for wear resistance, constructions are clear and legible, and connections are simple. Affordability is considered part of the design challenge. At the core of the practice lies the belief that beauty is essential to sustainability. Objects that are valued are cared for, and what is cared for lasts.
Arthur Rottier
December 11, 2025
Part of 2026
LIGHT–POINT designs more than just lamps—they design light. This is the essence of their brand slogan: CREATING LIGHT.  With 30 years in the market, they have firmly established themselves as a leading Danish design company with an international look and appeal. The approach to design is both architectural and artistic, and the style is elegant and minimalistic, yet edgy and expressive. The lamps can both serve as style markers and bold design statements and be sophisticated, understated, and serene, blending in seamlessly. The fascination with light drives LIGHT–POINT to continuously experiment, pushing the boundaries of norms and traditions to develop innovative ways of creating illumination.
LIGHT-POINT
March 26, 2022
Lighting
Part of 2022
Part of 2023
Part of 2024
Part of 2025
JAPAN FORM is a Stockholm–based curatorial platform presenting contemporary Japanese craftsmanship in Europe. Porcelain lighting artist Hirotaka Tobimatsu creates sculptural pieces that reinterpret early 20th–century opal glass lighting through porcelain. Hand–cast and meticulously finished, each work emits a soft, diffused glow, bringing a quiet yet distinctive architectural presence to a space. JAPAN FORM is the exclusive European representative of his work.
JAPAN FORM
March 1, 2024
Lighting
Part of 2024
Part of 2026
The concept behind Woodnotes est. 1987 products is to combine artistic creativity inspired by Finland’s rugged nature with technology, to shape beautiful local raw materials. Softness of wool, purity of paper, glow of linen—the company collection represents timeless products of rare aesthetic quality. The unique paper yarn innovation—durable, allergy–friendly designer rugs and blinds made of paper yarn and cotton, are represented together with a selection of outdoor rugs, tufted wool–linen carpets, and atelier–woven cotton–paper yarn and wool–paper yarn rugs, among others.
WOODNOTES
March 7, 2023
Rug & Floor
Wall & Surface
Part of 2023
Part of 2024
Part of 2025
Other Exhibitions
An installation by Imogen Kwok featuring KØGE, and MARLOT BAUS curated by Noura Residency. Craftsmanship, design, and cuisine are brought together not as separate disciplines, but as a singular living exhibition. In this collaboration, the boundaries between the permanent and the ephemeral are blurred. Here, the table sits in that suspended pause after making and before eating. It is a scene of organic materials that have been handled, and are waiting to be undone: Fat, powder, fruit, sugar. Cone, oval, sphere, leaf. This installation investigates the exact point at which we begin giving meaning to objects and the materials that make them.
FAT POWDER FRUIT SUGAR
May 15, 2025
Malai.eco is a biomaterial design studio from India/Slovakia developing sustainable alternatives to leather and synthetic materials using bacterial cellulose grown from coconut water waste. Rooted in material research, craft collaboration, and circular design, the brand combines biotechnology with traditional knowledge systems to create biodegradable materials and products for fashion, interiors, and design applications. Through partnerships with artisans and global designers, Malai.eco explores materials as cultural, sensory, and ecological experiences while promoting regenerative production and responsible consumption.
Malai
March 27, 2026
At the heart of Bankston is the aspiration to be a thoughtful and consistent lab of design incubation. Guided by this vision, Bankston collaborates with leading minds in architecture and design to craft original expressions of architectural hardware that redefine the category. Established in Australia and bolstered by four decades of industry expertise, Bankston’s purpose led approach is rooted in the belief that hardware can transcend utility to become a testament to artistry. With every mindfully paced release, it strives for a lighter ecological footprint. Each Bankston collaboration is a true partnership, presenting an interplay of inspiration, unconventional materiality, and innovative production that pushes the boundaries of design.
Bankston
January 23, 2025
Arthur Rottier is a designer and product developer based in Arnhem, the Netherlands. His practice moves between commissioned work and self–initiated projects, driven by an interest in how objects can be conceived and produced locally using contemporary means. The work is defined by advanced, computer–controlled engineering and production methods, careful finishing, and a restrained approach to form. Durability is central: materials are chosen for wear resistance, constructions are clear and legible, and connections are simple. Affordability is considered part of the design challenge. At the core of the practice lies the belief that beauty is essential to sustainability. Objects that are valued are cared for, and what is cared for lasts.
Arthur Rottier
December 11, 2025
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