Aneta Kocia

Aneta Kocia
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Birgitte Due Madsen is a Copenhagen-based artist and designer working across furniture, objects, and sculptural form. Her practice centres on materiality, light, and aesthetics, exploring how structure and surface inform both function and perception. Working with materials such as gypsum, resin, wood stone, and concrete, she develops pieces through a process that moves from abstraction to precise realization. The work spans custom commissions, serial designs, and unique pieces, often produced in close dialogue with manufacturers. Defined by tactile textures, controlled colour, and a distinct geometric language, each object reflects a commitment to craftsmanship and a considered approach to form, material, and use.
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Founded in Copenhagen in 2006, Mater is a pioneering green–tech design brand with sustainability and circularity at its core. From the outset, the ambition was to inspire a global design audience and engage people in sustainable thinking. Mater uses cutting–edge technology in their production to transform waste materials into furniture. Through collaboration with well–established and new design talents, they create timeless designs in a sustainable and responsible way. Mater is continuously committed to finding and developing new waste materials and techniques that allow them to create more from less.
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Established in Copenhagen in 2017, Tekla creates elevated yet functional homeware pieces that centre a timeless, straightforward design expression. Since launching, Tekla has embodied an honest commitment to uncompromising quality. With a foundation in bedding, the full collection now comprises pieces for the entire home, including towels, sleepwear and blankets—all made to be lived in and made to last. Tekla holds B Corp certification, joining a global movement of people using business as a force for good. Tekla is available at its Copenhagen and London stores, globally online and through a handful of carefully selected retail partners in Europe, North America and the Asia–Pacific.
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