Rowico

Rowico
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Other Exhibitions
There is something really nice about getting up close—to the furniture, the makers, the production process. A. Petersen creates furniture with a focus on quality, craftsmanship and respect for professional expertise. Theor products are designed, developed and produced in Denmark. Furniture from A. Petersen is crafted with the intention to renew the Danish design tradition and carry it into the 21st century. Not in a grand or rapid way—for the sake of scale or tempo—but in a measured, serious way, for the sake of current time as well as posterity, because furniture should last a lifetime, and hopefully even longer. A good piece of furniture only becomes more beautiful through time and use, as lived life leaves its mark on the materials.
A. Petersen
April 20, 2026
MOTARASU crafts design objects within lighting, furniture and interior that unites the clean, functional elegance of Danish design with the poetic beauty and refined simplicity of Japanese aesthetics to bring joy. Dedicated to creating timeless, sustainable pieces that evoke tranquillity and harmony, transforming everyday spaces into serene environments. By blending the best of both cultures, MOTARASU aspire to induce mindful living, elevate interiors with pure forms and natural materials, and infuse them with a quiet, understated elegance that speaks to the soul. During 3daysofdesign MOTARASU launches a new pendant by Ryota Yokozeki.
MOTARASU
February 14, 2022
Founded in 2022, TOMOMI YOKOYAMA DESIGN is led by Japanese designer Tomomi Yokoyama. After years of honing her craft in the watchmaking industry, she has brought her expertise to the world of fashion design. This debut international exhibition marks a bold new chapter for the studio, centred on the theme of "Global Dialogue and Co–creation." By harmonising two different cultures and perspectives, Yokoyama aims to create designs that celebrate and respect cultural diversity.
TOMOMI YOKOYAMA DESIGN
January 20, 2026
2050 Furniture is a gentle rebellion for nature, people, and the future. Today’s conventional furniture industry is resource–intensive and highly centralised. Valuable local resources—such as wood waste—remain underutilised, while many people are excluded from the workforce. 2050 Furniture is created to question and even change this system. This new furniture production transforms local wood waste into high–end furniture through cooperative, local production that fosters inclusive and meaningful employment. 2050 Furniture scales through new furniture series developed in new communities, expanding a local, circular, and regenerative model of production. 2050 Furniture is Doughnut economics in practice.
2050 Furniture
April 24, 2026
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